In the beautiful film by Milos Forman Amadeus Emperor Joseph II, who has just witnessed the first of a Mozart opera, the comments with the famous words: 'too many notes. " The scene, as well as the historical anecdote that it is based, is a beautiful image that obtuse, regularly in history, is opposed to the genius and hinders it.
I have read and heard from many that the game Lavezzi (at least before it took off in the acrobatics of the last races, silencing even the most skeptical) game would be a fruitless, useless for the team: 'too much dribbling'.
Criticism is dangerous because, you know, the game of soccer Saturday the series A, the world is full of self-styled Maradona and the mother of those who must also discard the goalkeeper before rolling in the door is always pregnant. I love to
Pocho, I am sympathetic. And above all, for two reasons: The first reason is that he's a genius, the second reason is that he does not believe to be Maradona.
What is a genius, speaking from football, I think now out of question, and I am convinced that if the few do not play in the Italian league where the defenders, if they were not the defenders, the convicts would do (a bit 'as if they were not politicians politicians), but in a different league to probably today we would be hailed as the Messiah. But anyhow: for luck plays in Italy, and perhaps maybe even thanks to Napoli where he learned to ride so hard. I only say that to force defenses to play with them, sooner or later someone will break and would be a shame for everyone. Not only for fans from Naples. You have to run for cover: indeed there are players in the Italian league over-protected by the arbitrators for the same reason (and also with good reason) and you do not understand why the few who is currently the strongest of all, must seize all those barrels. And shut up.
The second reason is more difficult. I am always a bit 'impression when Auriemma says' As far as we remember that other Argentine', or when people, in the end, however, ruled that Maradona was Maradona. Now, I admit it - live - I never saw Maradona. But I saw Lavezzi, and it is enough. Whether positive or negative, the comparisons seem to me (though impossible to avoid) out of place. And the reason is that both of us, and Maradona Lavezzi, are geniuses. Their football is football art, football circus be without (and see that it is not easy). But, like all artists, each has his own style, and eventually, as in all aesthetic matters, is no longer a matter of skill, but of taste. Maradona is the
Mozart of football, but it certainly is not Lavezzi Salieri.